«The m imesis  of art is the power to give birth by imitating the movement of life itself» La zattera di mimesis. I Greci, la creazione, l'arte , Marsilio, Venezia 2001 (Essay) Orient-Express National Literary Award - Rome 2002 (j
Venise engloutie. Essay subjectif sur l'â me de Venise , Mimesis, Milan 2004, Fayard-Mille et une nuits, Paris 2008 (Narrative essay – Translated from Italian by Marilène Raiola)
«Why is Venice sinking? Are we sure we want to save the incomparable city?» A book about loosing dreams and souls as inhabitants of the City on the Waters. Venezia inabissata. Un fantasaggio , Mimesis, Milan 2004 (Narrative essay)
«We are not like the others. Point is: is that enough for being friends?» Non chiedermi niente , Aisara, Cagliari 2012 (Fiction)
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« From the University of xxx – Are you coming for three lectures on "Women and writing"? – Yes. I'm bringing my daughter, and I need to accomodate both of us: I'm breastfeeding her.  – Impossible.»   «On the phone with Giulio. N: I've me
Being a critique, being a painter: Roger Fry reads Cézanne from both perspectives. Roger Fry,  Cézanne , Ananke, Turin 2009 (Edited and translated from English by Nicoletta Salomon)  Fondazione Primo Conti (Fiesole) – author profil
Human memory is a creative device, it is not an archive. As soon as we try to remember, we forget and betray the past. Forgiving is then the key attitude to shape the future while making history. Paul Ricoeur,  Ricordare, dimenticare, per
«The light you are looking for, you will find it in yourself» Hermann Hesse, La felicità . Versi e pensieri, Mondadori, Milan 2002 (Translated from German by Nicoletta Salomon)
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